Who We Are

We inspire our community through artistry and innovation in choral
performances and education programs.

Core Values

  • Artistry
  • Commitment
  • Inspiring Curiosity
  • Innovation
  • Community


Inspiring love of choral music and lifelong learning.


We inspire our community through artistry and innovation in choral performances and education programs.

About Pacific Chorale

Founded in 1968, Pacific Chorale is internationally recognized for exceptional artistic expression, stimulating American-focused programming, and influential education programs. Pacific Chorale presents a substantial performance season of its own at Segerstrom Center for the Arts in Orange County, California, and is sought regularly to perform with the nation’s leading symphonies. Pacific Chorale has infused an Old World art form with California’s hallmark innovation and cultural independence, developing innovative new concepts in programming, and expanding the traditional concepts of choral repertoire and performance.

Pacific Chorale is comprised of 140 professional and volunteer singers. In addition to its long-standing partnership with Pacific Symphony, the Chorale has performed with such renowned American ensembles as the Los Angeles Philharmonic, the Boston Symphony, the National Symphony, San Diego Symphony, Los Angeles Chamber Orchestra, Philharmonia Baroque Orchestra, and Musica Angelica. Other noted collaborations within the Southern California community include the Hollywood Bowl Orchestra, Long Beach Symphony, Pasadena Symphony, and Riverside Symphony. Pacific Chorale has toured extensively in Europe, South America and Asia, performing in London, Paris, Vienna, Budapest, Italy, Belgium, Germany, Estonia, Russia, Spain, Brazil, Argentina, Shanghai, Guangzhou, Beijing and Hong Kong, and collaborating with the London Symphony, the Munich Symphony, L’Orchestre Lamoureux and L’Orchestre de St-Louis-en-l’Île of Paris, the National Orchestra of Belgium, the China National Symphony, the Hong Kong Sinfonietta, the Estonian National Symphony, and the Orquesta Sinfonica Nacional of Argentina.

Education programs are central to Pacific Chorale’s vision of enriching and educating the community. Toward this aim, Pacific Chorale has produced innovative educational initiatives that have opened the door to the art of choral music and the magic of the creative process for thousands of students and adults annually, including: a Choral Academy for elementary school students modeled on the El Sistema movement; a Choral Camp presented in association with California State University, Fullerton providing high school students with training in music theory and vocal production; a Choral Festival uniting 400 community members each summer in a free community performance; affordable, accessible Musicianship Classes for community singers; Intro to the Arts and Passage to the Arts, partnerships with local social service organizations and high school choral directors that allow students, at-risk youth, and low-income families to attend Pacific Chorale performances free of charge; a Young Composers Competition; Concert Previews that provide deeper insight into the repertoire that Pacific Chorale performs; and the Elliot and Kathleen Alexander Memorial Scholarship, awarded annually to an outstanding choral conducting student at California State University, Fullerton.

Pacific Chorale has received numerous awards from Chorus America, the service organization for North American choral groups, including the prestigious “Margaret Hillis Achievement Award for Choral Excellence,” the first national “Educational Outreach Award,” the 2005 ASCAP Chorus America Alice Parker Award for adventurous programming, and the 2015 “Education and Community Engagement Award.”

Pacific Chorale can be heard on numerous recordings, including American Voices, a collection of American choral works; Songs of Eternity by James F. Hopkins and Voices by Stephen Paulus, featuring Pacific Symphony; a holiday recording, Christmas Time Is Here, on the Gothic Records label; a live concert recording of Sergei Rachmaninov’s Vespers; the world premiere recording of Frank Ticheli’s The Shore for chorus and orchestra; and the world premiere recording of Jake Heggie’s choral opera The Radio Hour. Pacific Chorale also appears on six recordings released by Pacific Symphony: Elliot Goldenthal’s Fire, Water, Paper: A Vietnam Oratorio; Richard Danielpour’s An American Requiem; Philip Glass’s The Passion of Ramakrishna; Michael Daugherty’s Mount Rushmore; Richard Danielpour’s Toward a Season of Peace; and William Bolcom’s Prometheus with pianist Jeffrey Biegel, all conducted by Carl St.Clair.

Tarik O’Regan

Composer in Residence Tarik O’Regan

Pacific Chorale welcomes composer Tarik O’Regan, who is joining us for the next three seasons as our Composer in Residence. In addition to writing new music for Pacific Chorale, Mr. O’Regan will also be advising Maestro Istad in his programming selections, bringing his breadth of knowledge and experience in contemporary music to Orange County audiences.

Born in London and residing in New York, Tarik O’Regan has written music for a wide variety of ensembles and organizations; these include the BBC Symphony Orchestra, Royal Philharmonic Orchestra, Australian Chamber Orchestra, BBC National Orchestra of Wales, Estonian Philharmonic Chamber Choir, Sydney Dance Company, Chamber Choir Ireland, BBC Proms at the Royal Albert Hall, and the Royal Opera House, London.

O’Regan’s music is described as “exquisite and delicate” (The Washington Post); “beautifully-imagined, holding the audience rapt” (The Financial Times); “sublime: a piece that you didn’t want to end” (The Times, London); and generating “previously unheard sound worlds with astonishing effect” (The Philadelphia Inquirer).

Recorded on over 30 albums, and published exclusively by Novello & Co. Ltd, part of the Music Sales Group, his work has been recognized with two GRAMMY® nominations (including Best Classical Album), and both New York Times and Philadelphia Inquirer Best Classical Releases of the Year for Threshold of Night; the NEA Artistic Excellence Award, and a South Bank Sky Arts Award nomination for Heart of Darkness; a Gramophone Award nomination for Scattered Rhymes; two British Composer Awards; and by Time Out London (Top Five Concerts of the Year), WQXR/Q2 (CD of the Week) and WNYC (Pick of the Week).

Board & Staff

Board of Directors

  • David Bunker
  • William Feaster
  • Robert Harryman
  • Karen Haugen
  • Mark Hoover
  • Valerie Imhof,
    Chair, Education*
  • David A. Janes
  • Janice M. Johnson,
  • Jan Landstrom
  • Christopher Lindley,
    Chair, Marketing*
  • Susan Lindley
  • Mary A. Lyons,
    Board Chair*
  • Sara McFerrin
  • Rick McNeil,
    Co-Chair, Development*
  • Marcia O’Hern
  • Elizabeth Pearson,
    President & CEO*
  • Tom Pridonoff,
    Vice-Chair of the Board*
  • Ryan Ratcliff,
    Artists’ Council Representative
  • Michael Vantrease,
    Chair, Finance*
  • Vina Williams,
    Co-Chair, Development – Planned Giving*
  • Charles Zhang

* Executive Committee member


  • Robert Istad,
    Artistic Director
  • Elizabeth Pearson,
    President & CEO
  • Molly Buzick Pontin,
    Vice-President, Education & Community Programs
  • Brian Sullivan,
    Director of Artistic Operations
  • Cristy Seyler,
    Director of Finance & Administration
  • Ryan McSweeney,
    Director of Marketing & Box Office
  • Julian Leal,
    Marketing & Development Assistant, Concierge
  • Matthew Kellaway,
    Operations & Library Assistant

Artistic Staff

  • Tarik O’Regan,
    Composer in Residence & Artistic Advisor
  • Nate Widelitz,
    Assistant Conductor
  • David Clemensen,
    D.M.A., Accompanist
  • Nicholas Preston,
    Personnel Manager & Tenor Section Leader
  • Kellee King,
    Soprano Section Leader
  • Jane Shim,
    Alto Section Leader
  • Aram Barsamian,
    Bass Section Leader

Volunteer Administration

  • Tom Henley,
    Volunteer Librarian
  • Barbara Kingsbury,
  • Ryan Ratcliff,
    Artists’ Council President
  • Bonnie Pridonoff,
    Grant Research Volunteer